In the 1950s, Lasry and his friend François Baschet invented the Cristal, a metal construction that produces sound from oscillating...
After his work as the conductor on LIMELIGHT, Keith Williams organized a new 17-piece band labeled “The dazzling Sound,” recording...
Like his collaborators on MODERN TIMES Alfred Newman and Edward Powell, , Raksin went on to a celebrated career in...
After writing the lyrics for “Eternally,” “Smile,” and “Mandolin Serenade,” Parsons continued working at the Peter Maurice Music Company. Parsons...
Following his work on THE GREAT DICTATOR, Willson scored one more film, William Wyler’s pungent adaptation of Lillian Hellman’s THE...
Powell orchestrated nearly every Alfred Newman for 30 years, as well as classics by Franz Waxman and Alex North, and...
Following his uncredited (and un-Oscared!) work on LIMELIGHT, Russell Garcia continued his work in jazz, arranging strings for Buddy deFranco...
In between his work with Chaplin, James worked with Ron Moody on the 1968 film version of OLIVER! and served...
After working as part of Meredith Willson’s team on THE GREAT DICTATOR, Arnaud continued his musical career in Hollywood, composing,...
Though his time with Chaplin on A KING IN NEW YORK was short-lived, Knight went on to a successful career...
After working as part of the GREAT DICTATOR music team, Dragon continued with a distinguished music career. He worked on...
As a freelancer not tied to any studio, Schrager continued to find work after MONSIEUR VERDOUX, though usually scoring “B”...
